This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
又一次感觉网大居然比院线好看。王真儿的表演可圈可点，非常不错！制片方能不能不要这么不要脸！韩栋就出现那不到一分钟，辛苦别打主演来晃点人了可以吗，打个特邀或者友情他不香吗？虚假宣传可不好！
这部剧里最恶的就是人性，因为自己也有弟弟，所以从开始看的时候就很难过，不想去评论什么好坏，就是感觉太悲伤了
还行 有点恐怖童话的感觉。不知道为啥女巫那么好看。
案件没什么质量，也没什么看点，但硬生生讲了两个小时，这是我对本片最大的不满。两星。
法国影片的包容性总是这么大，总是用喜剧的特点来反应各种社会问题、种族、派系、政治等，黑色幽默的特点。
本來以為是以糖果屋變種為底的分段恐怖故事，但沒想到還是以主故事線為主，幾個不怎麼樣的小故事用剪紙表現出來到還是增加了趣味，很多哥特神秘場景做的也蠻好的，兒童題材表現的堅持自我與屈從大環境間的老主題也還行，但結尾完全弱掉了，直接毫無邏輯復刻糖果屋結局就好像編劇是那個男孩實在編不下去隨意結尾了一樣
内容上基本符合预期：撕逼、舞蹈、床戏、青春的肉体、华丽的舞台布景，讲故事的技法毫无亮点，瑕疵不少，结尾突兀，还有就是舞蹈场面的展现很差。
行吧，之前发的被屏蔽了。。。喜欢跳舞的，喜欢两个女孩子哈哈
各种标签…以及太冗长了…唯一高光部分是开着悍马在抄近路追逐那一段…
因为配音组去看的哈哈哈奇怪的理由 开头就是太康的声音！片子本身剧情挺一般的 也不是很恐怖
还可以，小男孩挺可爱，但总感觉像谁。故事一般，舞美不错
故事编的在网大中真的还可以啦，看到最后竟然有被感动到！弟弟还真中国版《水形物语》了😂
Diana Silvers和Kristine Froseth一起演芭蕾舞演员？Yes！她俩还亲嘴了？Hell yes！
聚焦种族矛盾、左右政治割裂（历史正确和政治正确）主题，讽刺和搞笑混为一体，净睁着眼说些大实话。几段车战拍得挺惊心动舰，真实感很强，尤其是身体分离的片段，又恶心又恐怖又能
恐怖电影不恐怖哈哈哈哈 好在制作还挺良心的！就是这个剧情太强扭了 反派就好好反 行不行！
类似鸡皮疙瘩系列故事，角色都很天真，作为儿童片算是合格啦。
不好看，看到一半就觉得浪费时间但强迫症不看完不舒服，看完更觉得浪费时间的那种不好看。可能适合儿童吧。很久没有哪个电影镜头能让我反胃了，这是一部，锅炉里那会。
这是我至今为止看过最好看的恐怖片，，赶潮流。现在中国的恐怖片有很大的进步，加油！
M真的太美了。越看越能理解为什么导演选她来演这个又倔强又脆弱的角色。虽然情节上有一点点跳跃，但感情刻画的还是很细腻，很耐心地给对白流了很多时间，不错，为女孩子们。
感觉还不错啊，画面有质感，剧情也还比较完整，演员演技都在线，剧情有点像河神
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