Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
大面积落地窗看着好看，太不实用，基本都要拉上窗帘。
确实是挺按部就班顺理成章的。短评里说恐男是zzzq反过来就是厌女的，说是性别对立流量密码的，笑死，这智商尽早告别电影吧，以及点进去果然都是蝻
结局女主牛逼！！！
还可以吧 没有偷窥者精彩 最后反转是我爱的he
略微多冗长了些 看不下去的即视感扑面而来 类型化严重
非常中规中矩。我觉得应该谢谢契诃夫——第一幕出现了手枪意味着………
身为女生的我感同身受
偷窥变态杀人，男人请相信女人的直觉，给女人安全感。影片很平淡。
片尾的反转如果不加，本来是一部很好的片子，可惜了。片尾搞砸了一切。
气氛还是很好的~~
从悬疑电影的角度来说是不太合格的，悬疑性紧迫感都差点。但你代入当下社会女性真实处境的时候，你便会在观影过程中感受到女主的那种压迫感不安全感。男主能共情合理化凶手的监视，却不能共情自己老婆的不安，这才是影片真正惊悚的地方！
浪费了一个半小时，尤其是看完偷窥者的对比后，这个无头无尾的破片
不太喜欢，匆匆跳过看了个结尾，不太喜欢这种无缘无故的单纯心理变态的情节
女主有点奇怪，又害怕又胆大，看不懂。
一个美国演员演了阿联酋出品讲罗马尼亚的影片
闷。心理元素运用的可以，总体还是比偷窥者要高级
就冲着氛围感看下来的，色调好看，罗马尼亚街景养眼。就是有点凑剧情，而且感觉杀人狂前半的平淡和暴露后的狰狞没拉开，张力不够，有点不过瘾。
摄影不错/但故事中总有一种差一口气的感觉/节奏也有点慢了/独自一个人看此片后去逛超市或可提升一些恐怖感/刚开始觉得不给德语字幕非常影响观感但看完觉得反而可以更好带入女主在异乡的不安感
虽然都说剧情和设定的问题，但是我觉得电影渲染的氛围让观众很有带入感，还是有观看价值的。
结尾到男主与杀人犯各自离开房间后在走廊四目相对那刻就可以结束了。
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