A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
看到Geller夫妇出来惊讶了一秒然后开始流泪。看到Janice出场小小泪目了一下。R&R最后一次拥吻“咔”后紧紧抱着不愿分开又心酸了一瞬。所幸所有人最后的结局是圆满的。丽萨本人也很有智慧，喜欢她在节目中短暂流露的人生感慨。
改天重温原剧，大概会是十五年里的第八遍。人类共通的情感。
还能说什么呢 for memory 快二十年前的大学生涯还好有这部剧作陪~ 虽然老友重聚看着并不真挚 Joey真人性格和剧中一样有意思 Phoebe老得自然又舒服 小钱钱几乎没说几句话 最后说那句聚会结束几乎让人泪目 但都不重要 看到他们又坐在一起就够了啊~
PS，Joey其实后来还拍了番外篇Joey，但那部剧明显太狗尾续貂了，所以现在也没人提起了，在这里结尾也只是说什么威尼斯的三明治店......
很多人给满分不是因为10季的剧集和这段视频本身，而是给了我们看完这部戏后到今天为止的这段日子，有的人是17年，有的人是10年，有的人可能只有两三年，我们把这段日子叫做改变了我们的时光。
马修最后的一哭极具分量，那是他最美好的时代
陪伴了无数日夜，带来了无数开心的卡斯，真好呀
我永远爱你们。
钱德勒乔伊都发福成这样了，莫妮卡也是老的明显，时间过得好快。回忆经典的片段，拿出来重新整活，演员跟编剧的配合，相当完美。对他们来说，拍摄老友记不只是工作，也是人生，对影迷来说，陪他们一起笑一起哭，真是美好的旅程
一直很期待，但又不期待；看预告片觉得很暖，又暗暗地猜会不会刻意煽情。结果他们只是平静地讲着以前的故事和回忆，甚至还是很好笑，但我的眼泪就是止不住，是开心的怀念的眼泪，从看到6把钥匙开始直到最后。看见他们好得可以像兄弟姐妹一样打闹，什么巨星来客串都不重要了。他们六个人，就是永恒的，伟大的，影响着这个地球上的人。
钱德勒老得不成样子了，Joey胖得不行，只有Ross保持得还可以。几位女士保养得都还行。
煽情什么的都做的很克制…看到他们几个再聚真的很感动！太过优秀的剧集了～应该很怀念他们那个时候的干劲儿吧？演员互飚演技，编剧绞尽脑汁想最搞笑的段子～现场观众的笑声就是最真实的反馈…新get到的知识点就是，原来他们笑声不是后面配的，而且现场同期声！太赞了吧！
菲比:一面试就敲定，最显年轻，演技表现最固定的，身世坎坷，吃素，正直，混迹江湖的神经质笑点永远在。
有幸看了《老友记》人生真是少了一件遗憾。他们当时真是美得不可方物啊！
太好哭了，朋友就是家人的那段时光，致青春。
每位角色的甄选，试镜，敲定，故事其实从这里就悄悄开始了。。。
2021小新终于把柯南的活抢走了，且还完成的不错，结合了《巴黎圣母院》披着《冰菓》式日常推理外衣的反精英化教育，反内卷的批判故事。本片的主角是风间彻，前后状态的改变，情绪线做的还是比较完整的，最后来个日剧跑，青春万岁，友谊万岁，能不燃吗？但是剧本推进和架构上不如《大人帝国》《战国公主》同样9分的剧场版，小新永远5岁，他和风间的友情永远不会结束，6月1日看这部，也会一直保持童心，继续看下去！评分:7.0/10。
青春是美伢口中的曾经拥有，青春是广志口中的此时此刻，我的青春就是《蜡笔小新》陪伴着的二十年。
这样的安排挺好的，没有再继续剧中的故事，而更多以花絮的内容呈现给大家。6个人一起，坐在十几年前的布景场地，一起聊着过去的事情，有的时候似乎也成了剧外的我们，发生了共鸣。还有比这个更令人触动的吗？
情怀加成太多了[哭] 致敬最美的青春岁月，朋友像家人一样抱团取暖、温暖孤独心灵的年代～美人迟暮令人惋惜，但愿之后别聚了，大家都健健康康的享受无忧生活就最好了。
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