The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
who won and who lost all things? And I guess that is really for you to decide.
小喜剧，没想到居然是2021年的新电影。扮演邮政调查员的是05年史密斯夫妇里演皮特朋友的那个，才16年居然就这么显老了
7/最后女主在考试院里陈列家具时我想美国也有这么小的公寓吗？然后发现its fucking jail
我为钱狂的同类，丢钱的不想追究责任。这要换个地方可以枪毙你
多年来韩国电影中的警察发挥还是比较稳定与正常的，依然愚蠢到家。
没看到结束，我就睡着了
犯罪有理，犯罪阳光，犯罪开启新世界大门！
翻拍的，还是改了不少。没有原版好看了。最后男主还是战胜了心里的阴影，非常好。
哈哈哈，也还行吧，毕竟姐姐一直这么酷这么聪明。不够朋克是真的，电影。
有时候换个ip再拍不乐吗非要一条道走到黑，哎
把一个被丈夫漠视的家庭主妇和三流屌丝销售员姐妹靠造假优惠券翻身致富的欺诈故事拍的很有意思，我看到女性自我掌控生活的力量，爽感喜感兼具，别杠所谓的三观和假正义
绑匪跟jc都是傻子一样，比吾先生差多了，翻拍失败。
我最喜欢贝尔在监狱里跟她前夫说离婚后，自然而然挺直的腰板和那个微笑😊。
两条线？主角并不突出 大结局有点强行圆满 美国人总在追求真实自我 离婚顿悟追求真爱穷小子 唯一有感触的点在邮政探案二人组 大叔好挺拔 两封信很美
虽然质量确实很一般，但是谁让我就喜欢这古怪的亚当斯一家呢。“I will survive”这歌确实经久不衰
没有第一部这么惊喜，但Oscar Issac的嗓音一来就是魅力反差…
无聊的时候看看，还是觉得无聊，偷来优惠券倒卖，竟然不用被惩罚0.0
Unhappy to see you again.
没头脑和不高兴疯子团体，是压根没想花钱只想撕票吧，还没怎么滴就开始内讧，警察zz全靠自救，疯子团演的生硬
最后结果还挺人性化的 判得很轻 主要能看出来优惠券这事在这些大型企业里猫腻有多严重 最后谁都不敢追究 这也算杀富济贫 死胖子就欠揍
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