Synopsis
Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
Notes
"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
Afterword:
- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
伐木累问你累不累，晾个衣服迟到十五分钟，中国巨幕厅早场，三块钱中国巨幕版3D眼镜心疼减一星，不知能不能和普通3D通用，还骗我有彩蛋，没有彩蛋没有彩蛋。
画面很艳丽，剧情真的很一般，最后还是小感动了一把
对这部电影很有心灵共鸣，因为我也有过女主那样的遭遇，被家人有意无意地轻视贬低，表示出“你没有用，没有价值”，经过不知道多少次的重复后，我自己也这样认为了，所以看片子里的女主就像是在看我自己，我们每个人都是奇迹，都是独一无二的。
【2.0】仍旧是政治正确口号先行，但相较于近几年的迪士尼动画，明显的进步在于：迪士尼动画中的“自我价值认同”终于不再是通过正邪对抗中打败反派获得胜利的方式来仪式性地完成，而是主人公直接面对那个不确定的消极自我。
冒险都不出家门了，看看政治隐喻解读还能稍微有点儿意思。
非常伤心的故事。舅舅布鲁诺因为不受欢迎的关于厄运的预言，无法为家族带来名声利益，被迫自愿出走，躲藏在屋子的夹层里，透过画像的夹缝，看着一家人快乐的共进晚餐。没有比那更残酷的画面了。//我不知道想要宣扬什么，几乎从一开始就感到恐怖，强调自己是家族的一分子，而把自我放得无限小。这算什么？世代同堂不是好事，早八百年就该分家了，奶奶不会道歉，只有童话里的奶奶会歉疚，会为自己失去想要照顾保护家人的初衷而感到抱歉。
有点小失望，主要是故事太weak了，感觉没讲完整，人物特色有点模式化地鲜明，看的让人厌倦。一个weak story浪费了制作组的才华。还有迪士尼可能为了控制时间，把很多歌曲和对白的速度都加快了，特别赶特别急的那种感觉。画面极其漂亮，rigging，剪辑都十分流畅，好喜欢南美洲特色的场景。真的可惜了。3.5🌟
歌舞乐曲和编排都挺丝滑的，就是故事太平淡了。
冲着《Dos oruguitas》来看。人物的天赋设定虽然有趣，但似乎难以承载“支撑小镇”的重任，如果说第二代尚能在日常发挥作用，第三代基本就只是娱乐大众了。而人物的性格、态度也有些脸谱化，前脚一言不合，后脚就能相互理解，并且都能自洽于“为了家庭”的逻辑。从“追求完美、被精益求精束缚”到“追求自由”的转变虽然很老套，但人物“重获新生”的状态依旧令人共情且向往。一众歌曲里面依然觉得西语版的《Dos oruguitas》最为动听，正片在歌曲中间穿插情节的闪回反而有些冲淡了歌曲的意味。
相比之前的海洋奇缘还是差一些，元素太多让人头发胀，特别是前面的节奏太赶了
最近吹迪士尼有点过了，果然翻车了，和《½魔法》差一个档次，矛盾冲突解决的莫名其妙，也没有真正意义上的反派，后半段就挺懵的，唯一可圈可点的是，大力妹子还有姨妈的那两首配乐挺好听
好温馨好主旋律的童话，爱你只是因为你是你，而不是你的天赋。每个人都有自己的门把手，能打开的不是奇迹，而是自己的生活，也只能打开自己的生活。抱怨无用，羡慕无用，努力让自己的生活更好才有点用。
7.2羡慕他们能怎么成熟的表达出内核，就是歌曲不好听。
这个电影拿了奥斯卡最佳动画片，em....
在影院观看迪士尼电影就是去体验视效和歌舞的，在这个方面《魔法满屋》没有掉线，拉美风情的音乐还是很加分的，不过情节上还是比较老生常谈，对自己价值的证明这个主题上《无敌破坏王》已经做的很不错了，《魔法满屋》也没给出太新鲜的东西，冲突与和解都融进了歌舞中对于《疯狂动物城》的团队来说未免也太偷懒了。（6.5/10）
安东尼奥bigger on the inside那段将是迪士尼又一个游乐项目！喜欢布鲁诺。整体故事几乎木有。一直感觉变形功能可以是最后力挽狂澜或者致命一击的好方法，结果都没怎么惊艳地用到。
这这这，看了个神马
是很多不明意象了，而且整个小镇居民都像是崇拜皇室一样崇拜这家人，有点接受不能，没什么特别讨喜的角色罢了。
家族长久统治一方要靠什么，当然是强力（大力女）、情报（顺风耳）、宣传（鲜花），再加上两代女主那点勇气和组织能力，真.成人寓言
剧情比较单薄一点，音乐还可以，印象比较深的是we don't talk about bruno
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