Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
男主设计的太玄乎了
将就,看个新鲜,看个稀奇.
角度挺好的，部分世界观有些问题，结束的也太仓促了，好歹介绍下后续吧这个
还是挺感人的，小朋友看别模仿危险动作吧，为人处世上也许小虎墩能做个榜样
换汤不换药，比较老套的故事，不过故事发生在镖局，这倒是有点新意的，但整体故事没有什么亮点，而且小虎墩的性格也不讨人喜欢，太聒噪了。总体来说，故事流畅性还可以，小虎墩的性格也鲜明地体现了出来，算是合格但并不突出的国产动画了。
小分队九死一生，送到基地的居然是生化病毒 ，它可以毁掉敌人，但它更多的是给无辜难民的伤害，主角该怎么选择？电影的剧情设置挺好， 但是拍摄手法却让它陷入了二流。
“the only way to get freedom，in this fucking war，is refuse to follow their order,refuse to do what they say.”
22/365 人物智商都太低了 很讨厌熊孩子
短评长评，多是五星好评，也是很奇怪。
影片的美术还是差一些，杨总镖的脸捏得太憨厚了，简直路人。远全景的画面不够丰富，局部细节也一般。如果全片采用闪回时的2D动画效果，能使整部电影更成熟，武侠氛围更浓厚，口碑也会更好。
除去略显颓废的结尾部分。冰上戏，北欧风，还是相当得我心的。
笑点点错了方向，显得很作。越用力越无聊尴尬
有被情感线和氛围感深深打动到，表演和效果也完美呈现。至于背景交代不清就不必苛责了，这不正是瑞典电影的特色嘛。
还不错！唯一的漏洞是，休息时不放哨，还太爱相信人。
太過於公式化了，當看到上校說女兒在奧德，我覺得信不過
质感又硬又冷，前半段肃杀又诡异的气氛像极了《边境杀手》的开篇巡城，还选了“肖恩博士”这个异形女主，自带《普罗米修斯》异世界残骸的末世感，整片氛围至上，故事也像是仅仅为了烘托渲染而构建的，这就是大荧幕上的行为艺术。小队在黑夜寒冰独自穿梭的身影浓缩了全片精华，即使剧情逻辑再垮也值了。
还挺出乎意料的，本来对国漫没有什么期待，看下来还蛮有乐趣的，特别是武打部分以及在沙漠中的追击战
整个电影的风格和气质就像2022年初入境的世界，沉闷而看不到未来在哪里，以前在某一本小说里看过一句描述叫做「铁灰色的乌云覆盖了整个天空」，很好地体现了这部电影从头到尾的气质感；无边的冰面，压抑的战争和环境，看不穿看不透的人心。
虽然电影情节不复杂，有些地方脱离逻辑，但是刚学会滑冰的我看到他们滑冰穿越还是很欣喜的。和平！反战！
节奏挺快，没什么槽点，后面大boss地方还是挺反传统的笑死我了
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