John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
扎克和哈利波特一样…现在只能通过自毁形象的角色，才能适应电影圈子，要不然标签性这么强，有一个成功的角色背书，到底是好事还是坏事呢？这片子真是…除了成本低，没别的了，几条野狗整的都不专业…烂片
连续看了两部克里斯派恩的电影，蓝眼睛太美了，本故事从他们在湖里潜水躲避开始，就进入紧张环节，导演是真的很能让人手心出汗，但美中不足的是，里面很多惊喜的场景感觉很刻意，为了吓观众而吓观众。
《环游地球》后专心“埋”进糙汉路线的Zac，在地球另端渐入佳境；过往痕迹不断地消失，似乎也在迎来更有趣的职业转折。在片中不仅付出了比想象中还要多的辛苦，也很顺利地完成了场得由自己驱动的求生追逐故事；即使它可以在节奏与走向上更为精炼，但所有的努力都有效地成立。
悬疑惊悚淘金硬生生被拖成了荒漠求生 浪费了很好的题材 时长反而是缺点 主旨很明确 就是不能贪 其余不合理的种种都为了主题服务
地狱一样的沙漠，人为财死鸟为食亡，螳螂捕蝉 黄雀在后。
场景服化道有点废土版沙丘的意思，剧情确实没意思，二倍速不亏
很喜欢克里斯佩恩，但是这片子后半段真的莫名其妙啊…..和其他评论说的一样，敷衍！好评就是美国+疫苗+研究疫苗的科学家…..很真实
6.7_掘金 Gold (2021) 澳大利亚
故事情节还是不错的，演员的演技也都在线，理应展现的惊心动魄和波澜壮阔，但总体感觉是有些平淡和乏味。是导演的功力不够，还是编剧编排问题？总之，感动之余还是有些遗憾。
There Will Be Blood + The Revenant
很牛逼啊，但是快进看才可以，虽然能猜到一点，但是最后一下震撼
抖音追剧系列
虎头蛇尾，挺好一主题，退伍军人尤其是特种兵的问题，处理不好就是一大问题。最后草草收场。
自己不觉得自己离谱吗？是应景了，可战场下来的在那大大咧咧看伤口？战术动作全忘了？喝个啤酒看个乐呵吧
其他都不错，就是剧情太垃，看完毫无波澜，惊悚不惊悚，深度没深度，更是被男主作死行为弄懵逼了
星际迷航船长老点更帅，悲剧男主味道浓郁。节奏镜头都很好，全剧很安静，对白很少讲得明明白白，有仇报了就完了，好看！
是一部好电影，制作精良节奏紧致，始终持续一种力度和浓度，记得有部沙海漂流人，有一部观光路线，这种沙漠戈壁下的有持续浓度的影像，带着一种劲儿，就是那种端着的感觉，说不清楚，但是非常好甚至是好极了，这种没有旁枝末节，凝练集中叙述一个场景内的一个故事的感觉非常好，超级喜欢这种电影，比如加拿大的事故，车祸森林孤单一人，氧气危机之类的，172小时，活埋，后备箱，等鞥等等，特别好看，主要是导演对节奏的把握对影像力度和浓度的把握，非常好，刚刚看了六十一号的恐怖，那片子就是典型的烂片，拍的稀松跨啦的。
想起了当年的《活埋》，小成本固定场景，深挖人性不自觉就代入到主角的心境，从希望到绝望的变化，信任比水更难能可贵，更别说黄金了。
一个好的idea被拍成了狗屎，土澳政客的脑回路真的是莫名其妙，连电影人也是，小成本就小成本吧，小成本佳作也不是没有，这种存粹就是浪费时间
这个结尾。。。还不如拿着敲下来一块跑路，好过丢掉性命啊
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