The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
立意当然是深刻的，美中不足是角色太模式化，基本都是单向度的。
出乎意料的好!是仅次于大人帝国的反击的质量。好哭好燃，野原新之助，FIRE!春日部防卫队，FIRE!青春，FIRE!
8.1分
你为什么要跑马拉松啊？
2021.12.19
2021.12.19
太理想化童话化了以致于现实更刺痛了，挺好的但我看完会想要世界毁灭（我的问题）
#心电影2021_143#
当种姓成为了从出生便背负的原罪，《杰伊·比姆》作为一部为社会最底层人群发声的印度电影，它的社会意义远大于其本身。电影以一起冤假错案为原点，不畏强权，伸张正义的背后，电影让人瞠目结舌的是这起冤案背后执法者颠倒黑白的肮脏，更是印度种姓制度的黑暗。
那些警察的邪恶和对底层人民的凶狠，让人无法直视。
杰伊·比姆 Jai Bhim (2021)
“要是现在不和大家一起跑，就没有办法挺起胸膛地活下去了”
我回想起了宋康昊在辩护人里的那段
太惨了，即便是几条狗被这样打，看着都会无比难受。整体而言渲染的痕迹有些重，反而导致冲击力下降。
…拍得太模式化脸谱化了，社会性+足量的煽情+戏剧化。
看他国电影，想本国的事情。我就想想
以及青春是ai回答不了的问题。
毕竟过了看这类影片的最佳观影年龄，始终有种跳戏脱戏的感觉，哈哈
就单拿悬疑推理都甩柯南几条街，甚至用上了二次元独有的证据。对于我来说，将感受写为文字反而成了一件不礼貌的事情
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