Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
印度片确实开始走韩国风格了，有没有发现现在歌舞没有了。
无论受害人是女是男，是小孩还是成人，强奸犯必须死。但全世界的法律都做不到，全世界都在包庇强奸犯。。。
剧情有点拖拉了，奇怪的面部特写，一下子就猜到了绑架原因。
以印度的这个强奸率来说，判处死刑得少三分之一的人吧🤣
电影制作中规中矩，不过能看出来印度电影工业也是进步了，可能跟国内技术能力持平了。
一己之力推动立法，girls help girls
3星，这类社会题材，印度电影跟韩国电影一样，只能拍出来，现实很难解决实际问题，只能自我安慰。
最开始觉得有点虚结果一锤一锤夯实
印度人看待问题、拍电影时的迷之自信，实在令人迷惑。一方面，你会觉得多么自不量力，另一方面，他们付诸实践时的坚定，又那么令人肃然起敬。
真的太赞了，意外的惊喜。这部电影能冲奥斯卡么？看了后心脏都疼了。
立意可以，但是这拍的太理想化了，甚至说有点差。
陈词滥调哈哈，Sandra Bullock一如既往的Poker face。
剧本特好，演绎特好。她低沉的接受又挣扎，多么需要那一个慰藉的拥抱。
离开不易，摆脱更难。错与罪的摆脱比登天还难。
不太行，所有的情绪都是单向度的表达，就好像有一条既定的管道，所有的剧情都被套在这条管道里，不灵动，流水线感非常重。导演讲故事的能力有待提高。
宁愿犯罪、打碎自己现在平静的生活，也要尽力保护一个小女孩的安危。确实是英雄，值得尊敬
有意义但是的确逻辑漏洞频出的片子，亮点就是还不错的影像语言。
我感觉很屌，为什么豆瓣那么多装B的。这个不给人很多启发？人家可以拍这样的片对zf，我们拍这种能过审？
试图以极端化的故事题材激起观众的情绪，但印度强奸问题并非一两个决策者所能改变的，未开化的民众，封建的宗教才是这一状况的根源，不从源头解决问题，这样的状况就会一直发生下去
感动是真的，悲喜是相通的，这才是最难得的东西。支持一把印度妇女。
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