IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
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后厨的这个角度还是蛮新鲜的，纪实镜头让厨师日常看起来也不枯燥乏味，管理者和实操者的冲突很有带入感
里面有太多细节把后厨的那个烦乱感演绎得太真实了（特别是他打单机没换纸，结果没出单，woc灵魂一击），我感觉又像上了一天班
5分吧(我怀疑7点几的分是不是电视剧版比较能看)，主角们哭的稀里哗啦考虑过我波澜不惊的感受吗…其实主角本身的戏还行，尤其是原生家庭的影响还过得去。但是配角的戏实在是…对主线没啥支撑而且非常毁三观
简简单单 ！！爱情也易如此 。剧情看着蛮舒服的 …
这部电影可作为每年都会出现的电影市场中流砥柱式电影 成熟的技法 节奏缓急得当的剧本 优秀的表演 没有冲奖的野心 就是讲好一个故事 影片用一镜到底来表现主厨厨房后厨糟心的一晚 厨房压力溢出屏幕 很难不把这类封闭空间多人物关系 阶级明确的叙事引深为编导所处社会的影射 事实上本片如果仅是厨房工作呈现 只能算一部比后厨真人秀稍优秀的作品 可加入了人物关系和阶层解读 编导的表达就出来了 电影中的餐厅明确分为上中下三层 三阶层表面在主厨领导下协同工作 可当顾客压力兵临 每个阶层都出现问题 底层消极 高层傲慢 而本应作为媒介的中层 一直输出无效情绪 最终酿成客人送医的全盘皆输 主厨失格更加速了进程 全片引入的多族裔演员也服务此表达 影片中段以后有矛盾失焦的问题 这与特别强调临场感不无关系 压力被个人闲笔分摊 另外也缺乏真正的反思打点
一镜到底+紧凑台词=沉浸式高压窒息体验。刁钻的食客，忙碌的服务生，混乱的后厨，所有压力堆积到一起，让观众也跟着快要喘不过气来。刚从餐厅吃完饭回来看这片感到心情复杂。
第一次看菲律宾的影视剧，感觉演得还是感情蛮到位的，比大部分泰剧好太多了
一开始的直播很有趣。梦里给了Elijah一记摸头杀。
嘴里塞着10颗大白兔 齁死你 …3D环绕 卑鄙 卑鄙..卑鄙..（四声）
《游戏男孩》电影版，A-~A
看着这种剧总是因为一镜到底容易出戏，看着看着就开始琢磨。
哭死我了
这不仅是两个男孩的恋爱故事，更多的是关于爱与尊重。
真是……
感觉这一场疫情让时间过得好快，查了一下《游戏男孩》的剧是2020年9月追完的，已经过去一年半了，我感觉就像去年追的一样，我的2021年是不是被谁偷走了？这个电影版感觉是第一季和第二季之间的一个过渡，虽然这一集有笑有泪，但是结尾Gav还是坐上了去纽约的飞机，很明显第二季他和Cai还要以视频聊天的形式互诉相思了。作为这部剧的粉丝看这部电影应该很满足，毕竟一年半没听那洗脑的baby了。而且在电影里，也给了所有的配角出境机会，甲米地CaiReel CP粉头Pearl，还有我已经忘记的Terence、Wesley、Achilles这组三角恋，当然还有一个要棒打鸳鸯反被鸳鸯棒打的苏嬷嬷~~总之CaiReel的所有画面都很甜，室内戏、海边戏还有船戏（互攻赞）都是甜的，我要在第二季上映之前去重温一下第一季了
“我的心属于你，请你带我走吧。”异地恋好难啊🫣🫣😤😤
tough time有人陪伴一起度过让人觉得珍贵，其中的友情爱情亲情都好；影片的色调依然喜欢；“you happened”的感动点；联系第一部，也将疫情下的话题引出；社交媒体的画面拉近与观众的距离，仿佛在一起刷动态
宝贝听到我有点不适了都哈哈哈哈，我快进看完了。
没有电视剧那种特别的感觉了，但剧粉还是值得一看的
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