The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
硬核老派西部片，有血有肉，不宣扬，不做作。7.5+，多半分，敬情怀。
4星。很酷，在父亲节和父母一起看的父亲的电影
西部片也挺好拍的，三五个人。慢吞吞的讲着话，骑个马跑来跑去，开几枪就拍完一部片子了。
昔日的孤胆英雄，迟暮的不可饶恕，没有一个女性角色，可能这就是西部吧。
nobody 是 somebody 的西部版本
有时候他也嘟囔嫌钱不够使
人物塑造相当成功，瘦削干瘪，一个眼角耷拉着。
比利小子?_(:з」∠)_
他相信了曾经那个少年
父子情这个线挺揪心，翻出枪套那个时候，故事就立起来了
质感非常好的西部片，剧情略老套，但是服装道具台词与镜头都非常精致，很喜欢这种慢热片子
看之前最好对比利小子有所了解。
影片中出现的通缉令上的照片也是史上流传下来据说是Billy the Kid的唯一照片。
依旧保持西部片的精神内核，只是结局隐喻着西部片没落的现实，而这种现实大概起于三十年之前。
血性早已苟活在鲜肉御姐的裤裆里。
今年最棒的西部片！故事结构紧凑，对白简洁明了，导演克制隐忍小火慢炖，一步步将剧情推向高潮，结尾再来个意外反转，老亨利完成了自我救赎，儿子认识了父亲，告别家园独自策马上路，消失在Oklahoma 州的原野。
父爱很真实
剧情中规中矩，老亨利处事果断，枪法稳准，疾恶如仇。动作快，姿势帅。
这才是生活的现实与生命的真实。
太多直径老西部片和游戏（没错，就是那两部）的地方了，全程无尿点，结尾转折稍落俗套了
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